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Please join me for a discussion between percussionist/composer/conductor Jamie Whitmarsh and film/concert composer Danyal Dhondy. What is the best practice for assigning different percussion parts in a score, not to mention changing between such instruments? We'll take a look at Danyal's work-in-progress, discuss the practicality of concert percussion stage layouts, and compare how the repertoire makes certain demands on percussionists. What are the most workable scores in the opinion of the professional players? We'll find out this weekend. Hope to see you there!