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Currently Playing: Ep. 90 "How To Sing Whistle Voice" - Vocal Register World Tour 5
Whistle Voice. Whistle Tones. Whistle Register. Whatever you might call it, it’s popular! And singers desperately want to learn how to do it! In the final part of the Vocal Register World Tour, Justin Stoney of New York Vocal Coaching reveals the secret to singing Whistle notes. You don’t have to be Mariah Carey. You can just be yourself. Enjoy Voice Lessons To The World!
Chapters
00:00 Introduction & Today's Question
2:26 Why Do You Want To Do Whistle Voice?
3:55 Vocal Register Demonstration
5:13 What Is Whistle Voice?
6:08 The Best Named Register
7:07 How To Do Whistle Voice
8:18 Step 1 - Inhale Phonation
8:46 Step 2 - Adding Vocal Fry
9:12 Step 3 - Falsetto & Flageolet
9:48 Step 4 - Pitch Matching
10:08 Step 5 - Create Vocal Exercises
10:40 Is Whistle Voice Unhealthy?
11:39 Justin Stoney's Vocal Benediction, Resources, & Information
12:56 Manny Cooner Performing Whistle Voice
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Video Transcript
♬ Hi everybody! My name is Justin Stoney
and I'm the founder of New York Vocal Coaching
here in New York City. Welcome to episode 90 of
Voice Lessons To The World. The show where we want to
help you as singers by answering your
questions from all over. And I'll give you a chance
to ask questions later, but our question for this
week comes from Santeri S. in Turku, Finland. And Santeri speaks for the
thousands of emails we've gotten
on this particular topic. "Dear Justin, can you teach me
how to do the whistle voice?" And yes, Santeri, I... [demonstrates whistle voice] think that can be arranged. But we have to know that
the whistle voice lives in the stratosphere,
it's out of this world. And this is part 5, the last stop on
our Vocal Register World Tour. So pack your space helmets,
pack your spacesuits, pack your space boots,
because we're about to go boldly where no voice lesson
has gone before. We're going on a
Vocal Register World Tour. ♬ And so dear singers
of the vocal universe,
[♪] the time has dawned on
us to answer this epic question that has
been posed to me so many thousands
of times. And I promise you
by the end of this episode you will be able
to do the whistle voice. But before I answer this epic
question that has been asked of me, let me ask a
question of you... Why, dear singer, do you
want to do this whistle voice? The reason I have to ask you this
is because whistle voice is not nearly as important
as it is popular. And I know that people start
to get this kind of thinking in their head... Mariah Carey is famous. Mariah Carey is pop star. Mariah Carey does whistle voice. If I, singer, do whistle voice then
I will be famous pop star, great singer. The answer is... [hits piano] not really. Whistle voice isn't used
for that much stuff. You hardly ever hear it in songs. It doesn't really help
your vocal technique. It doesn't help your vocal style. I want you to think
of whistle voice as a blip on the radar of
your vocal technique. At very best, it's a parlor trick that
you can impress your friends with. But it's not something
that we really use in our singing. I would have you focus on
your breath support, your larynx control,
your mix, your resonance, all of these things. And make whistle voice
a very, very small part of your vocal life. So now that we've had
that little talk, let's get to it. We're going to start by comparing
whistle voice to our other vocal registers. In our Vocal Register World Tour
we've had five parts. And I'm gonna illustrate these
five vocal registers using five octaves
of my own singing voice. So I'll start down in the
basement with chest voice... ♪ MUM ♪ And then the
next octave I'll use mix... ♪ MUM ♪ And then the next octave I'll
use Falsetto and a little bit of head voice... ♪ MUM ♪ And then the next octave I'll use
flageolet with a little bit of Falsetto as well... ♪ MUM ♪ And then to go even higher
into another octave we're going to use
today's topic, whistle voice. ♪ MUM ♪ So then you can see that the voice can
extend to quite big ranges. Now we didn't talk
about vocal fry. We have a whole trilogy
on that if you want to go back. We can actually do... ♪ MUM ♪ You can even maybe get
a sixth octave down there if you develop
your vocal fry. But you can see that
good vocal registration allows us to have quite a
massive range to use. So let's talk about
what is this extension? What is this whistle voice? Well, you heard it
for yourself, whistle voice is the highest
of all the vocal registers. There's nothing that goes higher. But we talked last time about
falsetto and flageolet and how the cricothyroid muscle
stretches the vocal folds to their maximum extent. So you'd think that whistle voice
would stretch the cords even further. But, no. Actually whistle voice is
produced differently from all the
other vocal registers. Most of our vocal registers
have the cords vibrating. Sometimes we call
this the mucosal wave. [Hits piano] But not whistle voice. In whistle voice we actually
lock down the bodies of the cords. The vocalis muscle helps
to lock down the bodies leaving a space
in the back. And we're actually, literally,
sort of whistling through the backs of the
vocal folds. This is what makes
whistle voice the most appropriately named of
all the vocal registers. I mean you and I
are travel buddies on an entire
Vocal Register World Tour. We know these terms
aren't so great. We didn't come
up with them. What, chest voice? It has nothing to do
with my chest. That's thick
vocal fold mass, yo! Head voice? Well everything
resonates in the head, So what?
Is everything head voice? I don't think so! Mix? Well, that's a pretty good term
but it confuses everybody. You gotta go back to
episode 40 and episode 88, just to make any
sense of it. Falsetto well, there's
nothing false about that. In fact, I hope you do
it every single day of your life. But whistle voice... Yes, now, there is a good term
for a vocal register. Because when I whistle... [whistles] What vibrates? Nothing! And when I whistle
with my vocal folds [whistles with voice] What vibrates? Nothing! I'm whistling with
my vocal folds. So Justin, can you stop talking
about registers and tell us how to do this? I just did. There's a secret to it,
and when you know this secret you will be doing your
whistle voice in a matter of seconds. Manny Cooner can I get
a little drumroll? [drumroll] The secret is inhale phonations. That's right inhale phonations,
can you believe it? That the mistake we might
have been making in trying to learn our
whistle voice is breathing out? It's natural to breathe
out when we sing. But with the whistle voice
it's actually easier to first learn it breathing in
and then later breathing out. That's because it encourages
the tops of the vocal folds to touch instead of the
bottoms of the vocal folds. And since there's nothing vibrating,
it's just air moving through a chamber. It's just like whistling,
we can breathe in, [whistles] or we can breathe out [whistles]. With my whistle voice
I can breathe in [whistles with voice] or I can breathe out [whistles with voice]. And I can get my
whistle voice either way, but it's actually so much
easier with the inhale phonations first. So I'm going to take
you step-by-step through this on
how to do it. Here's step 1... First, speak with
an inhale phonation. Inhale phonations are
rather easy to do, you just breathe in and talk. Breathe in and talk. So try this for me,
"hello, how are you" I'm doing very well! Thank you for asking me
with your inhale phonation! Now step two,
let's add some vocal fry. You remember from
our vocal fry trilogy, vocal fry is beneath
your chest voice. It's just a very
gentle creaking sound. [demonstrates vocal fry] Very nice. Now let's try it with the inhale... [demonstrates vocal fry with inhale] Excellent! That's going to help shut
the bodies of the cords. Now step three,
let's kick it to falsetto and flageolet. Last episode we talked
about falsetto and flageolet and how they help
us to stretch our vocal folds. ♪ OO ♪ But what if we take
our inhale fry [demonstrates fry] and just sort of think about
going up into falsetto and flageolet, then we get a... [whistles] Try it out... Great! And already you're starting
to get some of those squeaks that take us up
into whistle register. So now step four,
pitch matching. Once we've established
our whistle voice we need to get to a piano
and make sure that we're not just squeaking. But we can actually
sing real notes. ♪ [whistle voice] ♪ And then once we
can do that, step 5 is to create
some vocal exercises. Just like any part of
our vocal training we start off with
exercises to build things and then later we
can do it with songs. So whistle voice
is the same. ♪ [whistle voice] ♪ If I can do an exercise
then I'll be able to have that kind of control. when I have to do it in a song. Of course there's not that
many songs that use whistle voice. But if we can do an exercise
we know we're going to have that control. Now, you're probably wondering
is all this whistle voice healthy? Well you already know
my opinion on whistle register. It's cool, but it's not that
necessary of a voice to learn. Not for technique,
or for style. But I know you guys, you'd be
messing with it with or without me. So I hope that these tips
help you to do it as healthfully as possible. It's kind of like
with rasp though. We'll cover that
in the future. But if you don't need to do
it then don't mess with it. Remember, we're shutting
down the vocal folds and not letting them
do their natural vibration. This might not
be so great. So be cautious,
be conscientious. If it doesn't feel right,
if it's fatiguing, if it's making your voice sore,
then stop and do something else. My real suggestion is
to focus on the first four parts of our
Vocal Register World Tour. You need to learn
those registers. So spend 99% of your
time on that and maybe 1% on
this as a little extra bonus. And that's it. That's the end of our
Vocal Register World Tour. So I salute you on
this great job that you've done on
our travels together. And there's a lot more travels
that we'll have together in the future. So, Santeri and all, if you've got
questions that you'd like to see answered on a
future episode of our show you can send an email to
Questions@VoiceLessonsToTheWorld.com. And you know I encourage
you don't lose the joy, don't lose the passion,
don't let people tell you that you can't sing,
you and I both know that's not true. Get with a great voice
teacher near you or if you're in New York
or you'd like to Skype with one of our staff
you can visit us at NewYorkVocalCoaching.com.
[♪] If you'd like a vocal course
that you can do
[♪] in the comfort of
your own home,
[♪] check out the
Voice Lessons To The World Vocal Course,
[♪] a 12-part course that takes
you on a singing journey
[♪] from beginner to
master level vocal exercises.
[♪] You can find that at
VoiceLessonsToTheWorld.com.
[♪] If you'd like free vocal tips
sent to you every day
[♪] you can sign up at
DailyVocalTips.com.
[♪] I'm Justin Stoney.
[♪] Until next time,
make a joyful noise.
[♪] ♬ ♪ Meow meow meow meow ♪
[whistle voice] ♪ Meow meow meow meow ♪
[whistle voice] ♪ Meow meow meow meow ♪
[whistle voice] ♪ Meow meow meow meow ♪
[whistle voice]